"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"I had done enough research about Mies van der Rohe’s Farnsworth House to know a lot of its history- and about his supposed affair with Dr. Farnsworth, his patroness. I didn’t set out to make a film that would deconstruct or investigate these things, but they were all there. For me, on one level, it was about visiting a shrine of modernity- like going to another kind of shrine and having a problem with institutionalized religion, but still gawking at the cathedral above me."
- Iñigo Manglano-Ovalle