"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"I had done enough research about Mies van der Rohe’s Farnsworth House to know a lot of its history- and about his supposed affair with Dr. Farnsworth, his patroness. I didn’t set out to make a film that would deconstruct or investigate these things, but they were all there. For me, on one level, it was about visiting a shrine of modernity- like going to another kind of shrine and having a problem with institutionalized religion, but still gawking at the cathedral above me."
- Iñigo Manglano-Ovalle