"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"’Nocturne (White Poppies )’ was a response to the bombing of Afghanistan and the flower as a source of violence at that particular moment. I was interested in investigating the fact that that flower was not a natural creation. It was a cultural and an historical creation. I used the technology that’s usually aimed at what’s ugly- which is war- to aim it at this flower, which contains both the beautiful and the ugly at the same time- a heroin poppy. I’m also addressing the media, because now the news of war is actually an object of consumerism. It’s no longer just news edification. And so I’m repackaging the image."
- Iñigo Manglano-Ovalle