"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"What I’m doing in the film is thinking about Oppenheimer in Purgatory. So I set it in a tropical jungle. He’s standing on water, surrounded by hundred- year-old ferns, but this flora speaks of the tropics rather than of Los Alamos. And he’s caught there and the camera just revolves around him. So even though it’s a moving image (that is, it moves in time), think of it as a photograph that has time."
- Iñigo Manglano-Ovalle