"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"Untitled (Sounding No. 2)" (2005)
Color photograph laminated to Plexiglas, 40 x 49 7/8 inches.
Courtesy the artist and Max Protetch, New York.
"The creative process for me, whether it’s scientific or artistic, is driven by a number of forces. And one that I’m most interested in is desire, a desire for something that will change us. I often think that science and art are both contending with the desire for the new. Even at the moment when we say the avant-garde is a lost cause or non-existent, desire is still out there. And I think even the most critical and cynical artists have to acknowledge that little kernel that still connects them to that belief, much as a lapsed Catholic might still have a connection to belief. So when somebody asks me why I am dealing with science, I say that I’m not just dealing with science. And if I am dealing with science, I’m dealing with the image of science."
- Iñigo Manglano-Ovalle



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