"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"Zeppelin Hangar" (2003)
"Zeppelin Hangar," 2003
Color photograph laminated to Plexiglas, 48 x 72 1/2 inches.
Courtesy the artist and Max Protetch, New York.
Color photograph laminated to Plexiglas, 48 x 72 1/2 inches.
Courtesy the artist and Max Protetch, New York.
"I think I’m most comfortable when I’m not in control of systems. So I often make work in which I almost attempt to make my hand disappear. I’m more comfortable with thinking that it’s not there- that the world is acting on the work or that the true generators of image, of ideas, are a vast compendium of people and factors rather than artists in their studios."
- Iñigo Manglano-Ovalle
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