"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"There is a sense of sexual humiliation in the over-powering of the bobby. For me the piece is
really saying that art should be something powerful. But at the same time, there’s a morality that comes along with that—the respect of other people, that their rights are equal to yours. So Bear and Policeman (1988) was always about art having that power, but being misused and going out of control."