"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I think that I’ve built a wide vocabulary to work with. I make paintings; I make sculptures. I make public works. And within the images themselves, some are more figurative and some are more abstract. Sometimes I’ll play a little game with myself where I’ll think, “Okay, did I ever make an artwork with a bird? Oh yeah, there was a bird on Buster Keaton (1988) and a bird on top of Stacked (1988). Okay, well what about a donkey? Oh yeah ... , Donkey (1999).” I’ve worked with a lot of different images, and I’ve always enjoyed the space it gives my work."