"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I think that I’ve built a wide vocabulary to work with. I make paintings; I make sculptures. I make public works. And within the images themselves, some are more figurative and some are more abstract. Sometimes I’ll play a little game with myself where I’ll think, “Okay, did I ever make an artwork with a bird? Oh yeah, there was a bird on Buster Keaton (1988) and a bird on top of Stacked (1988). Okay, well what about a donkey? Oh yeah ... , Donkey (1999).” I’ve worked with a lot of different images, and I’ve always enjoyed the space it gives my work."