"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"When I was young I really didn’t have a base in art history. My first day in art school, we went to the museum and at that moment I realized how naïve I was. I didn’t know who Braque was. I didn’t know Manet. I knew nobody. I knew Dali, Warhol, and probably Rauschenberg, and Michelangelo, but I had no sense of art history. I survived that day and I think that’s one of the reasons I’m here now."