"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"When I was young I really didn’t have a base in art history. My first day in art school, we went to the museum and at that moment I realized how naïve I was. I didn’t know who Braque was. I didn’t know Manet. I knew nobody. I knew Dali, Warhol, and probably Rauschenberg, and Michelangelo, but I had no sense of art history. I survived that day and I think that’s one of the reasons I’m here now."