"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"When I was young I really didn’t have a base in art history. My first day in art school, we went to the museum and at that moment I realized how naïve I was. I didn’t know who Braque was. I didn’t know Manet. I knew nobody. I knew Dali, Warhol, and probably Rauschenberg, and Michelangelo, but I had no sense of art history. I survived that day and I think that’s one of the reasons I’m here now."