"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"If you can remove judgments, you can have acceptance. And it’s really the highest state that art can take you to. So if I make a painting like Play-Doh (1995–2008), it’s really to represent one of those moments: you look at it and you just cannot make an aesthetic judgment about it. There is just a sense of acceptance."