"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"If you can remove judgments, you can have acceptance. And it’s really the highest state that art can take you to. So if I make a painting like Play-Doh (1995–2008), it’s really to represent one of those moments: you look at it and you just cannot make an aesthetic judgment about it. There is just a sense of acceptance."