"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"If you can remove judgments, you can have acceptance. And it’s really the highest state that art can take you to. So if I make a painting like Play-Doh (1995–2008), it’s really to represent one of those moments: you look at it and you just cannot make an aesthetic judgment about it. There is just a sense of acceptance."