"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"Showing at Versailles felt very natural, and the works felt very comfortable there. Rabbit (1986) was in the Salon de l’Abondance. Usually the rabbit reflects the environment of a gallery or a museum, but to reflect the interior of Versailles was very special."