"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"Showing at Versailles felt very natural, and the works felt very comfortable there. Rabbit (1986) was in the Salon de l’Abondance. Usually the rabbit reflects the environment of a gallery or a museum, but to reflect the interior of Versailles was very special."