"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"I spent about five weeks, at different times, just being in the gardens and going through the palace. I even had to almost position myself in a certain way, just as any artist at court would have had to present himself. And the way I did that was that I showed my self-portrait bust. If I hadn’t put myself on a base like that, I wouldn’t have been accepted. I had Louis XIV on one side and Louis XVI on the other."