"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"People think that I have a large factory that just knocks out work. I do have a lot of people who work with me, but we make very few paintings a year. I feel a moral responsibility, every time I make something, to give a hundred percent because I care about the viewer. Today it’s not unusual for artists to have large studios."