"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I made a number of paintings of redacted handprints because this seemed an extreme example of what’s been happening- that there was once a body, and then the body was blacked out. We have found handprints of dead people, and these are extraordinary. I turn these handprints into paintings with apologies to the dead, and then I move to make them as precise, as clear, as possible."
- Jenny Holzer