"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I made a number of paintings of redacted handprints because this seemed an extreme example of what’s been happening- that there was once a body, and then the body was blacked out. We have found handprints of dead people, and these are extraordinary. I turn these handprints into paintings with apologies to the dead, and then I move to make them as precise, as clear, as possible."
- Jenny Holzer