"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"It was more than a little intimidating to work in the Mies van der Rohe building in Berlin because it is a perfect building. That’s what stymied me for a while. It didn’t need or want any art, and I didn’t want to spoil it in any way. One doesn’t want to make an imperfect mess in a masterpiece."
- Jenny Holzer