"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"It was more than a little intimidating to work in the Mies van der Rohe building in Berlin because it is a perfect building. That’s what stymied me for a while. It didn’t need or want any art, and I didn’t want to spoil it in any way. One doesn’t want to make an imperfect mess in a masterpiece."
- Jenny Holzer