"Often when you're in the process of realizing an image, it's going somewhere else. If that tangent starts going off in a place that feels more exciting, that's what I go with."
"It was more than a little intimidating to work in the Mies van der Rohe building in Berlin because it is a perfect building. That’s what stymied me for a while. It didn’t need or want any art, and I didn’t want to spoil it in any way. One doesn’t want to make an imperfect mess in a masterpiece."
- Jenny Holzer