"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"The wood-grain linoleum attaches to two doorways...so that’s kind of like a runway that you can walk through, and then this theatre light points at the wall. There’s some very faint expressionistic roller-painting of pink on the wall that the theatre light points at. So it’s this self-conscious highlighting of that sort of 'expression.' I put it in quotation marks- but people are expressive. Art’s expressive. But it’s not that fact that’s so important. It’s rather what we make of all that expression. And there’s a kind of stillness in the work. It’s like the light is pointing at something that’s still. Everything in there is still, but you can move through."
- Jessica Stockholder