"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"Action/Reaction Series (Synchronized): Pouring Pepto-Bismol On Mayonnaise" (1975)
"People ask me or assume that Hollywood must have some effect on me. I don’t know if it does or not. I started using stills from movies, not because they were from the movies but because I could get the pictures cheaply. I just wanted to recycle photographs."