"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I choose the primary and secondary colors—say, six in the series. They’re also arranged from the widest to the smallest going up. So that takes care of that. And then, I’ve just used the complementary color. So if it’s red, the eyebrows are green; if I have orange, the eyebrows are blue; and so on. I don’t have to use taste at all in these things."