"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I choose the primary and secondary colors—say, six in the series. They’re also arranged from the widest to the smallest going up. So that takes care of that. And then, I’ve just used the complementary color. So if it’s red, the eyebrows are green; if I have orange, the eyebrows are blue; and so on. I don’t have to use taste at all in these things."