"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"I would do a piece that would be a diptych, so one rectangle would be the color but it would be photographed. And the other panel would be the name of that color, but it would be painted by hand. So the painting part would be the word. And what you expected to be painted would be photographs. It’s a device that I’ve used a lot. I try to confuse people."