"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"What they share is that they all look incredibly simple but they’re very complex. How can I be available to the most unsophisticated person that there can be but also engage the most sophisticated viewer? It’s a paradox but you don’t often get there, which is a great thing to achieve or try to achieve."