"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"In the drawings, nothing’s really direct. That’s not true all the time, but very little am I touching a drawing directly. There’s usually some tool between it and me (scissors, burning, stencils, dots stuck on). If I get too close to a drawing, I will go into some reverie. So I have to keep myself a little bit distanced."
- Judy Pfaff