"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"The trouble with naming anything . . . I called a piece once ‘Elephant’, from the story where there are seven blind men and they’re trying to describe what they’re touching and everyone has a different idea- it’s a tree, it’s a snake, it’s a this, it’s a that, it’s soft, it’s hard . . . So the piece was called ‘Elephant’ and everybody kept saying, ‘Where’s the elephant?’ It’s like, ‘Oh geez.' So you can’t name anything anything."
- Judy Pfaff