"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"Hangzhou" (2006)
"Hangzhou," 2006
Crown Kozo paper, encaustic, and ink, 57 1/2 x 47 1/2 inches. Photo by Jordan Tinker.
Courtesy the artist and Ameringer & Yohe Fine Art, New York.
Crown Kozo paper, encaustic, and ink, 57 1/2 x 47 1/2 inches. Photo by Jordan Tinker.
Courtesy the artist and Ameringer & Yohe Fine Art, New York.
"The drawings are painterly except they’re not on stretched canvas. I know they’re not paintings because paintings make me a little ill, when I make them, because I start doing this push-pull thing, this here-there thing. I’m haunted by all of the rhetoric of painting. Elizabeth Murray is a real painter- such a painter! Her paintings are hard work. They’re emotional. They’re direct. She’s not embarrassed. She is there when she paints. She keeps in touch with her life."
- Judy Pfaff
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