"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"When I look at the old works, when they had the explosive stuff in them, I was just young. So there were different materials and things, but I think the underpinnings were always quite tight. I would never just put in a red dot here to balance that green dot there. It was always for a funny kind of need, and I always had to know what it was. It was never just formal. It always had to have a story line."
- Judy Pfaff