"Often when you're in the process of realizing an image, it's going somewhere else. If that tangent starts going off in a place that feels more exciting, that's what I go with."
"When I look at the old works, when they had the explosive stuff in them, I was just young. So there were different materials and things, but I think the underpinnings were always quite tight. I would never just put in a red dot here to balance that green dot there. It was always for a funny kind of need, and I always had to know what it was. It was never just formal. It always had to have a story line."
- Judy Pfaff