"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"When I look at the old works, when they had the explosive stuff in them, I was just young. So there were different materials and things, but I think the underpinnings were always quite tight. I would never just put in a red dot here to balance that green dot there. It was always for a funny kind of need, and I always had to know what it was. It was never just formal. It always had to have a story line."
- Judy Pfaff