"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"When I look at the old works, when they had the explosive stuff in them, I was just young. So there were different materials and things, but I think the underpinnings were always quite tight. I would never just put in a red dot here to balance that green dot there. It was always for a funny kind of need, and I always had to know what it was. It was never just formal. It always had to have a story line."
- Judy Pfaff