"From early on, very early on, I understood that art is not about what you say. It’s about these other things that you don’t say."
"As the works progress, the more the information is layered in a way that’s hard to decipher what is what. And that’s intentional. It’s almost like a screening out, creating a kind of skin or layer of just this information that we recognize. So if a building is from Baghdad or New York or Cairo it’s not so important. I don’t necessarily reveal which building is from which place."