"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"As the works progress, the more the information is layered in a way that’s hard to decipher what is what. And that’s intentional. It’s almost like a screening out, creating a kind of skin or layer of just this information that we recognize. So if a building is from Baghdad or New York or Cairo it’s not so important. I don’t necessarily reveal which building is from which place."