"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"Most amazing to me is when something happens in the work that, without an expectation or desire in the impulse of making it, completely illuminates a situation. What I’m most interested in is how I push the work, allow it to have conceptual meaning, and allow it to be free enough that it reveals itself to me."