"My approach tends to be from experiments. I need the challenge. If I know how to do something well, there's no need to do it all the time because it becomes a little monotonous. So I like to find a challenge."
"Some days I’ll be engaged in painting, and make great headway, and then the next day I’ll come in and I have no access. You can have the whole day just feel like you’re spinning your wheels. But I think that’s part of the work—being in the studio, just looking at the work for a long time, and realizing the painting."