"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I’m very interested in looking at Turner right now. The seascape was his point of reference, and even when he was trying to paint historical scenes around that it was the sky and the atmosphere that he was painting. Being able to paint forces of this kind coming together that you can’t quite grasp in some way is his majesty."