"From early on, very early on, I understood that art is not about what you say. It’s about these other things that you don’t say."
"I’ve looked a great deal at Chinese calligraphy paintings. I haven’t studied them in the way art historians have but, in terms of that kind of mark-making, I think each mark has meaning because of the way that it was made. And that meaning is conveyed by the lean on the mark."