"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I’ve looked a great deal at Chinese calligraphy paintings. I haven’t studied them in the way art historians have but, in terms of that kind of mark-making, I think each mark has meaning because of the way that it was made. And that meaning is conveyed by the lean on the mark."