"My approach tends to be from experiments. I need the challenge. If I know how to do something well, there's no need to do it all the time because it becomes a little monotonous. So I like to find a challenge."
"I’ve looked a great deal at Chinese calligraphy paintings. I haven’t studied them in the way art historians have but, in terms of that kind of mark-making, I think each mark has meaning because of the way that it was made. And that meaning is conveyed by the lean on the mark."