"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"Cut" (1998)
"Cut," 1998
Cut paper and adhesive on wall, 7 feet 4 inches x 4 feet 6 inches
Collection of Donna and Cargill MacMillan
Courtesy Sikkema Jenkins & Co., New York
Cut paper and adhesive on wall, 7 feet 4 inches x 4 feet 6 inches
Collection of Donna and Cargill MacMillan
Courtesy Sikkema Jenkins & Co., New York
"I always think about this work, this history, in terms of the body. And in terms of this act of excavating that’s been such a current and recurring theme, particularly in the histories of feminist artists, feminist writers, African-American people of color, investigating and eviscerating this body of collective experience...sometimes to the point of leaving nothing intact. I entered into this project, this idea of being a black woman artist, from the perspective of a person who has been presented with a pre-dissected body to work from. A pre-dissected body of information."
- Kara Walker



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