"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
Kerry James Marshall Viewing "Many Mansions" (1994) at the Art Institute of Chicago, 2000
"When I started out, I mean, the artists that I really admired, people like Géricault, that whole genre of history painting, that grand narrative style of painting was something that I really wanted to position my work in relation to. And so in order to achieve a similar kind of authority that those paintings had, I had to adopt a similar structural format."
—Kerry James Marshall