"At this time in my life, I’m ready to accept or own a kind of romance and melancholy or melodrama that I wasn’t ready to reveal before. It was always there in my inner life as an artist, but I was too afraid to share it."
"The painting is built around what you could call a very classically Renaissance, architectural, or geometric structure. The most obvious thing you can see is this pyramidal, triangulated structure that the figures are fitted into...One of the reasons I used that structure was because when I started out the artists and works that I really admired- like Géricault's 'The Wrath of the Medusa'- that whole genre of history painting, that grand narrative style of painting, was something that I really wanted to position my work in relation to. And so in order to achieve a similar kind of authority that those paintings had...I had to adopt the similar structural format to develop my painting."
- Kerry James Marshall