"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"The painting is built around what you could call a very classically Renaissance, architectural, or geometric structure. The most obvious thing you can see is this pyramidal, triangulated structure that the figures are fitted into...One of the reasons I used that structure was because when I started out the artists and works that I really admired- like Géricault's 'The Wrath of the Medusa'- that whole genre of history painting, that grand narrative style of painting, was something that I really wanted to position my work in relation to. And so in order to achieve a similar kind of authority that those paintings had...I had to adopt the similar structural format to develop my painting."
- Kerry James Marshall