"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I think in general the paintings have been really well received. But there's a lingering controversy around the sort of unequivocally black, kind of emphatically black figures. I wouldn't have done them if I didn't feel it, but I tend to think having that extreme of color, that kind of black, is amazingly beautiful...and powerful."
—Kerry James Marshall