"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"When I was in New York, since the reality there was different, I was looking at bottari in a formalistic spatial and time dimension—more as sculpture, or as painting. But when I returned to Korea I saw it more as a kind of a loaded memory and history and frustration that also had time and space in it. So in a way bottari had an even broader and deeper meaning for me."