"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"The cues for the basic color palette and figuration in ‘Attendant’ come from a very small Mexican retablo, a devotional painting on tin, dating from the mid- to late nineteenth century. It depicts a flagellated Christ...I reconfigured the central image but I had to refer to the retablo because I’ve rarely done figurative work. Before I could just look at nature and invent; here I needed an actual cue for figuration."
- Lari Pittman