"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I know that the work has a brutal side to it. There’s even a strong implied violence to it, an internalized violence. It’s not a personal one, really; it’s a social violence. And I still want it somehow not just to be a document of will alone or power alone that somehow has to be mediated through its appearance. I invest a lot in the power of something looking one way but implying another. I’m not interested in brute force. I’m interested in the brute force of high tea. And maybe that’s what I might identify with more."
- Lari Pittman