"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I know that the work has a brutal side to it. There’s even a strong implied violence to it, an internalized violence. It’s not a personal one, really; it’s a social violence. And I still want it somehow not just to be a document of will alone or power alone that somehow has to be mediated through its appearance. I invest a lot in the power of something looking one way but implying another. I’m not interested in brute force. I’m interested in the brute force of high tea. And maybe that’s what I might identify with more."
- Lari Pittman