"At this time in my life, I’m ready to accept or own a kind of romance and melancholy or melodrama that I wasn’t ready to reveal before. It was always there in my inner life as an artist, but I was too afraid to share it."
"This is not a simulation of anything; it is a highly artificialized moment of representation. The painting has always been relentless about that. In the same way that you have to have that type of negotiation when as a contemporary viewer you go to an opera, there has to be a complete understanding and accepting of the whole mannerist endeavor or else you’re just not going to enjoy it. All the paintings set up this intense mannerism. Everything is hyperbolized and highly decorated. And the decoration is decorated...The work doesn’t shy away from that. It’s not about naturalism on any level."
- Lari Pittman