"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"When you’re looking at the work, you’re looking at something visually declarative, but it requires a subtextual reading or a capacity or predisposition for reading code. That’s why I used the Victorian silhouettes. It was just a great conceptual armature to be able to filter social code through. I like that the work is visually very declarative and available to everybody. But watch out! There’s a code, and you’d better know it."