"We only move into the 21st century on the foundation of things that have been established long, long ago."
"When you’re looking at the work, you’re looking at something visually declarative, but it requires a subtextual reading or a capacity or predisposition for reading code. That’s why I used the Victorian silhouettes. It was just a great conceptual armature to be able to filter social code through. I like that the work is visually very declarative and available to everybody. But watch out! There’s a code, and you’d better know it."