"Often when you're in the process of realizing an image, it's going somewhere else. If that tangent starts going off in a place that feels more exciting, that's what I go with."
"When you’re looking at the work, you’re looking at something visually declarative, but it requires a subtextual reading or a capacity or predisposition for reading code. That’s why I used the Victorian silhouettes. It was just a great conceptual armature to be able to filter social code through. I like that the work is visually very declarative and available to everybody. But watch out! There’s a code, and you’d better know it."