"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"The paintings show the viewer many temporalities. There’s climate and there’s time. Sometimes there’s even an indication in some of the paintings that the top half of the painting might be at night and the bottom half in daylight. I think that, in southern California (whose only history has been hyper-capitalism) hyper-capitalism foregrounds this idea of episodic time: ‘This is the eight hours for work; this is the eight hours to sleep. And this is the eight hours for waking leisure.’ Capitalism really enforces compartmentalized, sequential time."
- Lari Pittman