"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"Untitled #32 (A Decorated Chronology of Insistence and Resignation)" (1994)
"For me, craft has always been an ideological component in the work because it’s about a type of focus and social comportment that usually isn’t expected of a male. There’s a dutifulness that historically has been referenced or attributed to females, so I’ve always seen my devotion to craft as a type of protest."
- Lari Pittman