"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"In making the film, ‘The Music of Regret’, I did something that I’ve always wanted to do which is, literally, to bring my work to life. I got a chance to really revisit my work- the characters and the ideas that I dealt with for so many years that were just fleeting, still images or just a glimpse of a narrative- and figure out what would happen if suddenly I was looking at a photograph and the characters started to talk to me, or sing or dance. It’s a fantasy that I’ve had for a really long time, but I never really thought I would or could make a movie."
- Laurie Simmons