"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"Sloe" (1998)
Sloe, 1998
Color aquatint etching with chine collé on somerset soft white paper; Image: 27 3/8 x 17 1/2 inches; Paper: 36 x 24 1/2 inches
Edition of 30
Courtesy of Paulson Bott Press, Berkeley
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