"My approach tends to be from experiments. I need the challenge. If I know how to do something well, there's no need to do it all the time because it becomes a little monotonous. So I like to find a challenge."
"Often I put a deep-space kind of motif on a shaped canvas like that and then the two squares that are the empty space make the wall be part of the painting. Then you get real space and fake space, and the physical object—the canvas, shaped or rectangular."