"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"The titles are often like a three-word poem that is a part of the piece. It’s really opened up my work to where I can make an abstract-expressionist, gestural painting next to a geometrical painting next to an image of a piano, and it kind of makes sense for me."