"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
Installation view of "All Tomorrow’s Parties", July 4 – September 7, 2003 (2003)
"In the beginning, I didn’t think much about communication with other people. As I got into it and matured, I saw that the most important thing about doing artwork was communicating and having something like a conversation through the work."