"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
Installation view of "All Tomorrow’s Parties", July 4 – September 7, 2003 (2003)
"In the beginning, I didn’t think much about communication with other people. As I got into it and matured, I saw that the most important thing about doing artwork was communicating and having something like a conversation through the work."