"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I got really in love with the chartreuse-ish kind of green, which we used to see all the time on the computer, and with the computer graphics, too. And I got inspired by the color of light that I constantly saw as I played with my computer. It probably seeped into my consciousness about making the paintings."