"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"I got really in love with the chartreuse-ish kind of green, which we used to see all the time on the computer, and with the computer graphics, too. And I got inspired by the color of light that I constantly saw as I played with my computer. It probably seeped into my consciousness about making the paintings."