"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"One thing that really interests me comes especially out of Japanese painting, even kimonos and screens, where you have a number of different kinds of space in the same painting. You have a kind of deep space and then you have something right up on the surface. Two Lane Blacktop (2008) has that."