"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"It’s all about inversions of power...which is very typical of folk forms that perform carnivalesque functions- where you get to break the mold of how you’re supposed to act or look. In that sense, it’s analogous to the traditional social role of art in the avant-garde, but it’s a very restrained one. And I’m just trying to show that relationship between the traditional avant-garde and the carnivalesque social function of these folk rituals, as I guess you’d call them."
- Mike Kelley