"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"It’s all about inversions of power...which is very typical of folk forms that perform carnivalesque functions- where you get to break the mold of how you’re supposed to act or look. In that sense, it’s analogous to the traditional social role of art in the avant-garde, but it’s a very restrained one. And I’m just trying to show that relationship between the traditional avant-garde and the carnivalesque social function of these folk rituals, as I guess you’d call them."
- Mike Kelley