"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"The Thirteen Seasons (Heavy on the Winter) #4: The Dawning of Sexuality" (1994)
"I just replaced the kind of blander everyday image that Rauschenberg used with more overtly perverse kinds of imagery because I was looking to the more sub-pop Chicago-school artists. I was more interested in the kind of popular material that they were working with, which was the lowest of the low, rather than New York pop art which tended to be more mainstream, like Warhol’s Campbell Soup cans and very standard Americana kind of imagery. I was more interested in that kind of ‘sub-stuff’."
- Mike Kelley