"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"I just replaced the kind of blander everyday image that Rauschenberg used with more overtly perverse kinds of imagery because I was looking to the more sub-pop Chicago-school artists. I was more interested in the kind of popular material that they were working with, which was the lowest of the low, rather than New York pop art which tended to be more mainstream, like Warhol’s Campbell Soup cans and very standard Americana kind of imagery. I was more interested in that kind of ‘sub-stuff’."
- Mike Kelley