"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I referred to the set as a trap: you entered it and you couldn't get out. Everything around it was a void. It floated in a void. For years I kept the set but didn't show it again. All the materials, the ketchup and whatever, were old. The question is, how does it continue? The work is evolving and changing."