"At this time in my life, I’m ready to accept or own a kind of romance and melancholy or melodrama that I wasn’t ready to reveal before. It was always there in my inner life as an artist, but I was too afraid to share it."
"I referred to the set as a trap: you entered it and you couldn't get out. Everything around it was a void. It floated in a void. For years I kept the set but didn't show it again. All the materials, the ketchup and whatever, were old. The question is, how does it continue? The work is evolving and changing."