"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"In the ‘70s I started photographing, but then I actually was really interested in the photograph as painting. And so it wasn’t purely documentation; it was about figuration in painting. I would photograph a performance—I would have fifty photographs—and I was really into looking at the images as a type of painting or as a type of figuration in a frame."