"Often when you're in the process of realizing an image, it's going somewhere else. If that tangent starts going off in a place that feels more exciting, that's what I go with."
"In the ‘70s I started photographing, but then I actually was really interested in the photograph as painting. And so it wasn’t purely documentation; it was about figuration in painting. I would photograph a performance—I would have fifty photographs—and I was really into looking at the images as a type of painting or as a type of figuration in a frame."